An exalted cast of characters gathered in Whippany last week: Moses met Leah and complained about his treatment at the hands of her sons, who teased him; Pinchas, a tired former slave who wanted to go back to Egypt, debated Miriam; and a young Yitzchak asked Hagar why he couldn’t play with Ishmael.
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They look like teachers in a classroom, but they are becoming biblical characters, walking through the “desert,” in a Storahtelling bibliodrama workshop offered by Partnership for Jewish Learning and Life on Jan. 11 at the Aidekman campus in Whippany. Naomi Less, left, Storahtelling director of education and training, directs the exercise. Photos by Johanna Ginsberg |
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The biblical reunions were arranged not by divine intervention but under the guidance of Naomi Less, director of education and training for Storahtelling, an acclaimed Manhattan troupe that teaches Torah to modern audiences through dramatic adaptations.
The characters, actually 25 local religious school teachers and directors engaged in dramatic exercises, were participating in a Jan. 11 seminar offered by the Partnership for Jewish Learning and Life on the Aidekman Family Jewish Community Campus in Whippany. The goal of the day’s work was to learn how to bring the techniques of Storahtelling into local classrooms.
Partnership officials said the seminar was part of a larger effort to encourage experiential education in the area. In describing the strategy, Partnership director Robert Lichtman said the aim is “to create a balance of formal and informal educational experiences throughout the community.”
He noted that Less not only put the teachers through the exercises but also broke those exercises down into methodological pieces. In that way, said Lichtman, Less “can leave and these people can, through a multiplier effect, embed the methodology in the community. We don’t have to rely on Storahtelling to come into the community all the time to perform. It’s the difference between fishing and teaching someone how to fish.”
Storahtelling was created in 1999 by educator Amichai Lau-Lavie and other musicians and artists as a vehicle for reinterpreting and promoting the study of Torah. It uses the tools of “bibliodrama” – improvised reenactments of Torah texts – in synagogues and schools. As Less put it, “Storahtelling is where literacy meets art.”
Storahtelling performed locally most recently in September at the launching of the Jewish Learning Center at Congregation Beth El in South Orange. In that setting, two Storahtelling performers probed what it must have been like to cross the Red Sea, wondering whether to go forward or return to the lives they knew as slaves in Egypt.
Although one educator, who declined to comment, spent most of Friday’s session working on a needlepoint, most of the teachers appeared thoroughly engaged. Less urged them to get deep inside their characters through a series of pointed questions.
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Miriam – Rivka Nelson, a teacher at Congregation Beth El in South Orange – meets a tired Israelite – Rabbi Pinchas Klein of the Mount Freedom Jewish Center in Randolph – who isn’t so sure taking part in the Exodus will be better than going back to slavery. |
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Less said the exercise can be a catalyst for students to create a monologue, put together a full performance for their peers, or even add Torah text to the moment, enabling students to complete their own midrash – a creative retelling of the traditional text.
The exercise continued with writing and discussion. Participants had a chance to consider how they could tailor the exercise to their own classrooms and possible solutions to potentially tricky issues.
“This is a great opportunity to have kids, after a long day at school, walk around and learn,” said one.
But another chimed in, “I had some trouble getting into character. I didn’t want to be in the desert. I felt a little stressed about it.”
Another added, “I’m concerned about kids being able to focus.” A fourth raised the question of how to manage the exercise with kids who have attention deficit disorders, or those without expressive language.
Suggestions flew around. “You could shorten the walking exercise” or “Why not do the exercise after the kids learn a story, when they know the characters?”
The teachers’ excitement was palpable as they discussed the writing exercise, which forced them to consider perspective, in character, as they completed such statements as “My life’s missions is…” and “I am most afraid of…”
Said one, “I was Rebecca. And I started out at the well. As I was writing and getting to the life’s mission, it really crystallized for me what her life’s mission was…. It really changed my perspective.”
And of course, there was humor, as several women trekking in the “desert” shared tips on how they kept their skin soft, with various oils and pastes made from special indigenous leaves.